In two portraits of seafaring religious zealots, the directors Lav Diaz and Mona Fastvold employ bold formal devices to hold ...

It’s as if the show’s creators absorbed every important conversation in health care today—and somehow transfigured it into ...

Everyone seems to love “The Pitt.” Is that especially true for doctors? I certainly enjoyed it. “The Pitt” is one of the more ...

Also: Bang on a Can and St. Vincent in Richard Foreman’s “What to Wear,” the celestial folk of Cassandra Jenkins, Jennifer ...

Shannon had played a trailer-trash fuckup in Letts’s early hit, the nihilist neo-noir “Killer Joe,” and for “Bug,” a more ...

In dramatizing a real-life hostage crisis from 1977, Gus Van Sant teases out enticing themes that remain undeveloped.

“THE WILLOW AND I,” at the Windsor, is an example of a rather interesting idea suffering from confused and haphazard treatment, and also, perhaps, from the arbitrary time requirements of the theatre.

There’s no Trump Doctrine, just a map of the world that the President wants to write his name on in big gold letters.

A onetime adviser to Marco Rubio and Mitt Romney argues that the U.S. has been “too cautious” in its use of force since the ...

The previous day, Kristi Noem, the Secretary of Homeland Security, had accompanied ICE officers on the deportation raids that ...

At the Intrepid Museum, the “House of Dynamite” director chats with an arms-control expert about duck and cover, radioactive ...

President’s exclusion from the operation in Venezuela an expression of his anti-interventionist ideology—or a political ...