First premiering in 2001, Urinetown the Musical is one of the more direct satirical musicals in recent memory, critiquing capitalism, the legal system, and the art of musical theatre itself. Narrated ...
Doring, talks about how Heated Rivalry becomes a safe space beyond its explicit sexual scenes, where yearning becomes something different when patriarchy is not involved.
Durham University expands ambition for AI Research and growth while explicitly confirming the permissibility of staff using GenAI tools. These tools include Microsoft Copilot for research and marking.
In what could be described as Durham’s biggest contribution to theoretical physics in recent years, a group of physicists have proposed an entirely new unit of time based on the average wait in A&E at ...
Yet the Department for Education continues to exclude one of the most socially vital languages from the national curriculum: British Sign Language (BSL). And this omission is no small matter.
Deputy Editor Samara Patel interviews the first Gen-Z and youngest Muslim elected official in American history on integrity in the face of challenge, and the contemporary US political landscape.
Noah Heywood discusses the uncertain future of chemistry departments across universities in the UK and what we can expect to see in response to this academic crisis.
The Leamside Line, which has been out of operation for 60 years, is set to be restored with backing from the Government, subject to its ‘value for money’.
"Ultimately, the mainstreaming of feminine rage reveals both cultural progress and its limits." Juhi Sharma examines the evolution of feminine rage in music today.
Shakespeare’s The Tempest is a remarkable tale — part tragedy, part romance, part comedy, and entirely self-aware of its own theatricality. The narrative follows Prospero, a usurped Duke who conjures ...
"A displaced, otherworldly figure, dropped into the London night." Davis investigates the glam rock star's visual artistry.
As an English student, Shakespeare is an author I know well, yet Julius Caesar was always one of his plays that failed to captivate me. That is, until now.
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