Money may speak, but do logos not whisper, scream or even sing? In this crowded global market for trust, the most precious currency of all, these small design heroes bear the brunt of their work. Have ...

What kind of clothes are in fashion now? Fashion right now is shifting in interesting ways. On one hand there’s a strong pull toward comfort, nostalgia ...

A Coen Brothers unsung classic! A very mad Peter Finch! A Kenneth Branagh film noir! These and more in IndieWire's monthly ...

Pictorial Foundation opens a new photography gallery in Newburgh with “Foundations of Practice,” a group exhibition focused ...

The Canon PowerShot is the first digital camera I ever used, so I'm lusting over the G7 X Mark III anniversary edition.

While the best rebrands have heritage to shape their identity, creating a new brand from scratch is no mean feat. From logo ...

Despite decades of research, the mechanisms behind fast flashes of insight that change how a person perceives their world, ...

Having lived in Argentina after dictatorship, I know restoring democracy requires far more than just deposing fascists.

Turns out all it took to break my worst habit was the receiving the most unflattering photo of myself I’ve ever seen.

Production designer Sam Bader describes what it took to bring the Shakers' frugal yet beautiful world to life for the film The Testament of Ann Lee, created by the duo behind last year's The Brutalist ...

A good album cover adheres to basic design principles. A great album cover has a layer of cultural commentary. And a fantastic album cover understands both while maybe breaking some rules.

First off the mark was Benny Safdie with last year’s The Smashing Machine, starring Dwayne Johnson as the mixed martial artist Mark Kerr. But this was calmer than might have been anticipated from the ...