Discover how 3D printing was used in season 5 of "Stranger Things" to create iconic scenes and the terrifying Pain Tree.

If you love using Firefly, Adobe's AI-first content creation suite, the company is opening up access for the next six weeks to give you even more generations. Through March 16, users can create ...

It's no secret that CGI has seemingly gotten worse over the years, and no one knows this more than Pirates of the Caribbean director Gore Verbinski, who says that the decline in effects quality comes ...

The VES Awards will be held on Feb. 25 at The Beverly Hilton in Los Angeles. By Brande Victorian Deputy Awards Editor The Visual Effects Society (VES) has announced the nominees for the 2026 VES ...

In a new featurette for Wicked: For Good, visual effects supervisor Pablo Helman offers viewers a look into the VFX work on display in the newest film. Check out the video to see behind-the-scenes ...

Before Dorothy skips her way down the Yellow Brick Road to Emerald City in Wicked: For Good, the animals of Oz under attack by the Wizard uproot a chunk of the colorful path, digging an entrance to a ...

While Matt and Ross Duffer are proud of "Stranger Things" — one of Netflix's most successful original series – the show-running siblings will be the first to tell you that certain elements of their ...

The Oscar race for visual effects is down to 20. With multiple sources confirming to Variety, the list of finalists includes a mix of anticipated blockbusters and franchise entries, with major studios ...

In subreddits and X threads, commenters seem to be railing more and more against terrible visual effects and wondering why modern films and TV shows look so bad. But is that actually true? Let’s flip ...

James Cameron has revealed that Avatar 3 features a very high number of VFX shots. The figure surpasses the number of VFX shots for many comparable Hollywood blockbusters, including Avengers: Endgame.

From crossing the uncanny valley in human animation, to light-field camera technology that will change the way moving images are captured, this is the future of visual effects in films, TV, and VR.