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World Has Gone Haywire in Ari Aster’s Eddington

What Made Ari Aster Laugh Hard? The Song He Wanted Pedro Pascal to Play at His ‘Eddington’ BBQ

On this week’s episode of the Filmmaker Toolkit podcast, writer/director Ari Aster broke down the scene that is sure to become one of his most memorable.

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'Eddington' review: Ari Aster misfires as Pedro Pascal and Joaquin Phoenix face off

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Ari Aster Explains the ‘Very Strong Politics’ of Eddington

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Ari Aster made a movie about polarized America. 'Eddington' has been polarizing

“Eddington,” which A24 releases in theaters Friday, may be the most prominent American movie yet to explicitly wrestle with social and political division in the U.S.

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We Almost Lived in a Timeline Where ‘Morbius’ Was Made by ‘Midsommar’ Director Ari Aster

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All 38 Joaquin Phoenix Movies, Ranked

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How Ari Aster made the year’s most divisive film

In signature Aster fashion, the third act is so over-the-top violent that a woman at a Santa Fe screening asked Aster to explain how he uses special effects to create such a wide variety of deaths.

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How Joaquin Phoenix and Pedro Pascal Embraced the Anxious Madness of Eddington

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Euronews Culture's Film of the Week: 'Eddington' - Get ready to be polarised

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Ari Aster on the One Scene That Explains All of ‘Eddington’

You’d be hard-pressed to find a hot-button issue in the American culture war that Ari Aster ‘s “Eddington” doesn’t take a swing at.

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“Eddington” ending explained: What's with the data center in Ari Aster’s controversial dark comedy?

Eddington, the latest film from Hereditary director Ari Aster, is a dark comedy about COVID-fueled chaos in a fictional New Mexico town. The film wades into hot-button topics regarding police brutality, the Black Lives Matter movement, AI investment, and mask mandates, among others. Ari Aster is asking for trouble with Eddington.

‘Eddington’: Ari Aster’s Miserabilism Gets in the Way of a Promising Social Satire

Paul Haggis’ Crash (2004) is a shallow film; its characters nothing more than reductive racial tropes colliding into and screaming epithets at one another. Somehow, the film defied the odds and beat out the heavily favored Brokeback Mountain to win the Oscar for Best Picture.

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Ari Aster and Museum of the Moving Image Are Hosting an ‘Eddington’-Inspired Film Series

Ari Aster and the Museum of the Moving Image will host an 'Eddington'-inspired film series with Aster in attendance.

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Movie Review: ‘Eddington’ is a satire about our broken brains that might re-break your brain

You might need to lie down for a bit after “Eddington.” Preferably in a dark room with no screens and no talking. “Eddington,” Ari Aster’s latest nightmare vision, is sure to divide (along which lines,

‘Eddington’ Review: Once Upon a Time in the Pandemic

The first and maybe only true jump scare in Ari Aster’s “Eddington” comes right at the start. A barefoot old man trudges down the center of a road running through an empty Western town. He’s ranting and incoherently raving as he climbs a craggy hill silhouetted against a twilight sky. He gazes, or maybe glares, out at the town below.

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He’s the visual genius that auteurs like Ari Aster trust. But cinematographer Darius Khondji is chasing a feeling

He's collaborated with everyone from David Fincher to the Safdies, but the Iranian-born cinematographer, most recently of "Eddington," wants them all to feel like family.