“THE WILLOW AND I,” at the Windsor, is an example of a rather interesting idea suffering from confused and haphazard treatment, and also, perhaps, from the arbitrary time requirements of the theatre.

In dramatizing a real-life hostage crisis from 1977, Gus Van Sant teases out enticing themes that remain undeveloped.

Everyone seems to love “The Pitt.” Is that especially true for doctors? I certainly enjoyed it. “The Pitt” is one of the more ...

Also: Bang on a Can and St. Vincent in Richard Foreman’s “What to Wear,” the celestial folk of Cassandra Jenkins, Jennifer ...

It’s as if the show’s creators absorbed every important conversation in health care today—and somehow transfigured it into ...

In two portraits of seafaring religious zealots, the directors Lav Diaz and Mona Fastvold employ bold formal devices to hold ...

Shannon had played a trailer-trash fuckup in Letts’s early hit, the nihilist neo-noir “Killer Joe,” and for “Bug,” a more ...

There’s no Trump Doctrine, just a map of the world that the President wants to write his name on in big gold letters.

The previous day, Kristi Noem, the Secretary of Homeland Security, had accompanied ICE officers on the deportation raids that ...

The lower section of this trail is gentle and promises landscape features familiar to most millennials, including plenty of ...

Find Barry Blitt’s covers, cartoons, and more at the Condé Nast Store. The President has made clear he wants to exploit ...

In the early two-thousands, she did standup in New York, and wrote a popular humor blog, “The Bruni Digest,” in which she ...